Michel Chodkiewicz An Ocean Without Shore

بَحْرٌ لَا سَاحِلَ لَه

An Ocean Without Shore

Michel Chodkiewicz · 1992

Ibn ʿArabī, the Book and the Law — a whole work sprung from the Quran.

The central gesture

Six years after The Seal of the Saints, Chodkiewicz published, in 1992, a shorter book — but one that carries a decisive thesis. Its title is an image: the work of Ibn ʿArabī is an ocean without shore — measureless, dizzying, in appearance without limits. But an ocean, however vast, has a source. And that source, Chodkiewicz demonstrates, is single: it is the Quran.

The book aims at a precise misunderstanding. Ibn ʿArabī has long been read as an overflowing mystic, a "genius" who supposedly improvised his own metaphysics, even a syncretist freed from the Muslim Law. Chodkiewicz establishes, text in hand, that this is false. Far from freeing himself from the Quran and the Law, Ibn ʿArabī does nothing else, page after page, than read them in depth. His boldness is not a rupture: it is a fidelity carried to the point of vertigo.

The key concepts (made plain)

The architecture of the work

Five chapters — and each has for its title a verse of the Quran. The form already states the thesis: one does not study Ibn ʿArabī starting from ideas, one studies him starting from the Book from which he proceeds.

  1. "If all the trees of the earth were pens…" (Quran 31:27) — the inexhaustibility of the Word
  2. "We have omitted nothing from the Book" (Quran 6:38) — all proceeds from the Quran
  3. "And unto Him you shall be brought back" (Quran 36:83) — the origin and the return
  4. "In the horizons and in their souls" (Quran 41:53) — the double book of the world and the heart
  5. "Those who are perpetually at prayer" (Quran 70:23) — the term of the way

A few voices

The conviction that carries the whole book Chodkiewicz states without evasion: there is, in Ibn ʿArabī, no thought "alongside" the Quran. The Shaykh al-Akbar adds nothing to the Book; he draws out of it what slept within it. To grasp this is to cease reading Ibn ʿArabī as a vague poet of Unity, and to begin reading him as what he is: an exegete of an unequalled boldness.

To read it

Shorter and more accessible than The Seal of the Saints, An Ocean Without Shore is probably the best doorway into Chodkiewicz's work — and one of the best ways to correct, in a few chapters, the received ideas about Ibn ʿArabī. To be read before venturing into the Futūḥāt.

Resonances